Unity Theatre Trust London

Welcome to the Unity Theatre Trust

Website Home Page

Unity Theatre Trust. UK Registered Charity No.210387

For any assistance contact secretary@unitytheatre.org.uk

This is the text-only version of the site, with all site text content contained on this single page, which will take about 15 seconds to load fully on a 56k connection.

If your system is not overriding specific site fonts, this site uses the Tiresias PC font developed specifically by the Royal National Institute for the Blind (RNIB) in the UK for on-screen clarity and accessibility purposes. The background colour of this page is blue and the typeface is orange.

The main site is a "frames" site with a static header and footer.

The header contains the name and registered number of the charity positioned between graphic logos (one logo reversed one side) developed for the Theatre in the 1930's, of a mask and a cog, representing an alliance of drama and industry, in monotone colours. The header background and typeface colours are the reverse of the main colouration of the site and are burgundy and cream respectively.

The footer is the navigation bar containing a narrow bar in burgundy with the link: "Click here for the Accessibility site" and below that 7 multi-colour graphic link buttons using an original piece of artwork developed for the Theatre also in the 1930's. It is a stylised graphic of two male workers opening a large industrial-type double door and is coloured red, cream, white and black. The links also have text equivalents. The background colour of this part of the page is cream and the text is burgundy.

The background page colour of the main information pages throughout the site is a cream colour and the text is burgundy.

The Home Page contains clickable links to the following sections, and each section then has specific links. These sections are bookmarked on this page and clicking will take you to the section:

Content:

Welcome to our website

Here you can find out more about the trust and the theatre by clicking the links below

There are details of our archive, pictures of the theatre and productions, and links to other information and sites of interest

We administer a grant-award system for dramatic projects and you can download copies of the Grant Application form and application information by following the "grant" link

The purpose of the Trust is:

To advance the education of the public by fostering, promoting and increasing the interest of the public in the art of drama and in the co-related arts

If you need to use our text-only accessibility site, click the link below to open it in a new window

for information contact secretary@unitytheatre.org.uk

Specific Links:

secretary@unitytheatre.org.uk

Section 2, The Trust:

Content:

The Trust was set up as a charity in the spirit of the traditions of the theatre and its history as described in the section of this website called "The Theatre"

To reiterate, the purpose of the Trust is:

To advance the education of the public by fostering, promoting and increasing the interest of the public in the art of drama and in the co-related arts

The trust is governed by a Board of Trustees, which is currently made up of the following members:

(The page then has a small black & white photograph of each trustee, their position, and a short description of each of them.)

John Burgess - Trustee

Maureen Coman - Vice Chair

Ever since going to Unity Theatre with her parents, Maureen has been interested in the drama and Unity, where she later worked in stage management and secretary during the1989-1995 revival. A qualified counsellor/therapist she combines her profession and working in fringe theatre production with plays involving social issues. An active member of the Committee of Unity Theatre Trust since 1995 and fully supports the Trust's aim to keep the spirit of Unity Theatre alive and to help organisations with similar objectives.

Frances Cuka - Trustee

Clive Gehle - Trustee and Trust Archivist

Involved with Unity Theatre since 1979 and a member of the Trust since 1995. Originally trained as an actor, he also works as a member of the education team at London's Theatre Museum, and has also been a curatorial assistant on two major exhibitions "Paul Robeson" and "The Redgrave's". He was library assistant at the British Theatre Association for 11 years.

Jack Grossman - Trustee

Joined Unity Theatre in 1946, first appearing in "Wages of Eve". Contributed music & lyrics for "Turn it Up" (d. Alfie Bass), "Cinderella" (w. Lionel Bart, d. Harry Ross), co-wrote "Circus" (w. Eric Paice). Professional writing began with West-End review "Lord Chamberlain Regrets" & BBC radio. Writer/Producer/Director in film & video since the 1960's having made over one hundred documentary films & two children's feature films. BECTU member over 30 years, ARTS for Labour and UNITY TRUST since 1993.

Harry Landis - Chair

Trained at the Central School of Speech and Drama, Harry is the Chairman of Unity Theatre Trust, President of the Actors Union Equity, Executive member of the Equity Trust Fund and an Ex Artistic Director of Marlowe Theatre in Canterbury. He has performed in West End Plays, at the National Theatre, acted in many films, TV plays & series, and been a freelance director, drama teacher and a Member of the Lawrence Olivier Award panel. He has also acted and directed at Unity Theatre for many years.

Andreas Michaelides - Secretary

Andreas trained as an accountant and joined the Trust as such in 1973. He is the author of "How to Manage Your Money, if you have any", a booklet on finance for community and charitable organisations which has sold over 15,000 copies. He has been the Secretary to the Trust since 1995.

Ann Mitchell - Trustee

Trained at the pioneering E15 acting school under the guidance of the late Joan Littlewood, going on to work in theatre, television, film and radio. Ann is perhaps best known for her portrayal of Dolly Rawlins in Lynda la Plante's first, and ground breaking series, Widows. Her work also includes direction, writing and teaching. She is a Patron of Clean Break, a theatre & training company for ex-female offenders, and of The Landmark, an HIV and AIDS trust. Ann has been a Trustee since 1999.

Katie O'Donoghue - Trustee

Trained at the Unity Theatre School, later appearing in Unity classics such as Winkles & Champagne, Mother Goose and God Bless The Guv'ner. Under Gertrude Rubenstein she trained as a classical singer and appeared in Blitz at the Adelphi Theatre London, Oliver at the Piccadilly Theatre London (and UK national tour) and the Imperial Theatre Tokyo. She has worked in both film and television and has been a Trustee since 2003.

Specific Links:

"The Theatre"

Link to Ann Mitchell's website.

Section 3, The Theatre:

Content:

A Brief history and traditions of Unity Theatre

Unity Theatre grew out of the agitprop street theatre in the East End of London in the early 1930's.

Once established, in a converted chapel in Kings Cross (built entirely with voluntary labour), Unity became the inspiration for a national upsurge in drama on social and political issues, since it was the only theatre in London throughout the 1930's, 1940's and early 1950's producing plays on these subjects.

Alongside shows specially created for Unity, it drew on the repertoire of world theatre, including innovative productions of works by Clifford Odets, Sean O'Casey, Lope de Vega, Jean Paul Sartre and Arthur Adamov. It was the first theatre in England to stage a play by Bertolt Brecht and it helped popularise the plays of Maxim Gorky.

Unity's strength lay with its audience drawn mainly from the trades unions and organised labour movements, but amongst its supporters were many eminent personalities e.g. Bernard Shaw, H.G. Wells, Sybil Thorndike, Beatrix Lehmann and Paul Robeson whose appearance with Unity, followed by international acclaim for the political pantomime Babes in the Wood, marked the peak of the theatre's fame.

With the outbreak of war, Unity was the first theatre to open in London once the ban on public entertainment had been lifted and it maintained a permanent repertory of plays, satirical revues and musicals throughout the five years of hostilities. It also sent out small groups of performers who, often in hazardous conditions, provided valuable shelter and factory entertainment for those winning the war at home.

Unity emerged from the war at the head of a national drama movement that was concerned with the lives of working people. Soon however, many of the developments pioneered by Unity, such as vernacular drama, Living Newspaper and biting satirical shows, were accepted by the theatrical mainstream and television.

Many well-known theatre people - Lionel Bart, Alfie Bass, Michael Gambon, Bob Hoskins, David Kossoff, Warren Mitchell, Bill Owen and Ted Willis among them - learned their skills at this influential theatre which was the working people's most sustained and successful contribution to British drama and one of the most important and enduring initiatives in popular culture this century.

Unity Theatre was destroyed by fire in 1975.

Specific Links:

Section 4, The Archive:

Content:

The Archive and Hall of Fame

The trust maintains an archive of heritage materials relevant to the theatre, and there is a display of selected materials at the Theatre Museum in London's Covent Garden.

Listed below are the details we have of Unity productions from 1936 - 1994.

Some productions link to photographs or other relevant information from the archive.

If you have any other information about the productions, please let us know.

1936
"Private Hicks"
"Waiting for Lefty" - links to a picture from the production
"Where’s that Bomb?" - links to a picture from the production

1937
"Opening of new Workers Theatre Programme"
"Plant in the Sun"
"Not for us"
"Cannibal Carnival"
"Aristocrats"- The opening production at the Goldington Street Theatre - links to a picture from the production

1938
"Plant in the Sun/Bury the dead" - by Ben Bengal - links to a picture from the production, starring Paul Robeson
"Busmen"
"Babes in the Wood"
"Case of the Baffled Boss"
"Trial of a Judge"
"Señora Carrars Rifles" - The first Brecht play performed in Britain - links to a picture from the production
"Bury the Dead"
“Crisis Czechoslovakia”

1939
"Give me Liberty"
"Harvest in the North"
"Colony"
"Orchestral concert"
"Sandbag Follies"
"Turn up the lights"

1940
"Jack the Giant Killer"
"Distant Point"
"Match Girls"
“Old Time Music Hall”
"4th Anniversary Fair"

1941
"Distant Point"
"Till the Day I Die"
"In the Spirit of the Revolution"

1942
"Sabotage"
"Get Cracking"
"Let’s be Offensive"

1943
"Buster"
"Grand Review"
“India Speaks”
"One Third of a Nation"
"Sword of the Spirit"
"Salute to the Gentle Sex"
"Spanish Village"

1944
"All Change Here"
"Green and Pleasant Land"
"The Rochdale Pioneers"
"Comrade Detective"
"One more Mile"
"Winkles and Champagne"
"Shop Window"
"Alice in Thunderland"

1945
"Yellow Star"
"Late Extra"
"Juno and the Paycock"
"Swinging to the Left"
"They came to a City"
"God Bless the Guv’nor"

1946
"Gold is where you find it"
"Lower Depths"
"Citizen Kane"
"Buster"
"The Star turns Red"
"Boy meets Girl"
"All God’s Chillun Got Wings"
"Awake and Sing!"
"Casey Jones"
"Star Parade"
"Pardon my Greek"
"This Trampled Earth"
"The Shepherd and the Hunter"

1947
"Dragnet"
"Out of the Dust"
"What Happens to Love"
"Golden Boy"
"Enemies"
"Stars on Parade"
"The Match Girls"
"The Russian Question"
"Black Magic"

1948
"The Star Turns Red"
"What’s Left"
"All Star Variety Show"
"Winkles and Champagne"
"The Whole World Over"
"Lions After Slumber"
"Six Men of Dorset"
"All Star Concert"

1949
"The Townshends"
"Cousin Elwyn"
"Plant in the Sun/Where’s That Bomb"
"The Jolly George"
"Thirteenth Anniversary Variety Concert"
"The Ragged Trousered Philanthropist"

1950
"The Circling Dove"
"Buster"
"Hell is what you make It"
"Winkles and Champagne"
"How I Wonder"
"Longitude"

1951
"The World of the King"
“Here Goes!”
"Hawthorne Grove"
"Mother Goose"
"The Germans"
"The Cradle will Rock"

1952
"Barrier Across Europe"
"The Wages of Eve"
"The Candy Story"
"Strangers in the Land"
"Mild and Bitter"
"Christmas Bridge"
"The Bridge of Life"

1953
"Three in a Row"
"Turn it up"
"No!"
"The Rosenbergs"
"Cinderella"

1954
"Timid People"
"Reedy River"
"Shoemakers Holiday"
"The Land of the living"
"The Dockers Tanner"
"Montserrat"

1955
"The Road to Life"
"Pillars of Society"
"The Shadow of the Swastika"
"The Russian For Yes"
"The Women of Troy"
"Peace Meal"

1956
"Othello"
"Nekrassov"
"Widowers Houses"
"Polly"
"World on Edge"
"The Exception and the Rule"
"Hold the Line"

1957
"Burlesque"
"Paul Robeson Concert"
"Mind the Baby"
"Cyanamide"
"Match Girls"
"TV & Labour Movement Conference"
"The Biggest Thief in Town"
"Wally Pone"

1958
"The Ganze Macher"
"The Crucible"
"Tripe and Onions/The Green Eyed Monster"
"Robin Hood and His Merry Men"
"Call me not Naomi"
"Heartbreak House June"
"Mother Courage"

1959
"Take it as Red"
"Puerto Franco"
"God Bless the Guv’nor"
"Anna Christie"
"The Risen People"
"Rocket for the Governor"

1960
"Shakespeare’s Lovers"
Lady Audley’s Secret/Music Hall"
Androcles and the Lion"
"Bloomsday"
"The Offshore Island"
"The Big Win with Cage Productions"
"Drama in the Making"
"The Seagull"
"You Won’t Always be on Top"
"Ragged Trousered Philanthropist"
"Misadventures of Mr Pickwick"

1961
"The Visions of Simone Machard"
"Beer and Skittles"
"The Lower Depths"
"The Recruiting Officer"
"And him Stretched"
"Affluent Athenian"

1962
"Aladdin"
"Hedda Gabler"

1963
"Spring ‘71"
"Away"
"Circus"
"The Man who bought a Battlefield"
"All Star Charity Show"
"Gala Cabaret and Dance"
"The Fury of Philip Hotz/The Scavengers"
"Unity Theatre and the Unions"
"See a Man falling"
"Port and Lemon"
"Good Woman of Setzuan"
"Life of Kaggs"
"Three in One2
"High Jinks of Bishop Saull"
"School of Wives"
"East Lynne and Music Hall"
"A Doll’s House"
"People Like Us"
"The Deviates"

1964
"The Caucasian Chalk Circle"
"Its Ours"
"Earoles"
"A Memorey of Two Mondays/Oh Freedom"
"The Glass Menagerie"
"Everything in the Garden"
"The Licence"
"Squaring the Circle"

1965
"Chicken Soup with Barley"
"Little Malcolm and his struggle against the Eunuchs"
"Yegor Bulichov"
"Julius Caesar"
"There’s a Megabutton on my Living-room Floor"
"Christmas Palace of Varieties"
"God Bless the Guv’nor"
"Sweeney Todd and Music Hall"

1966
"Death of a Salesman"
"Playboy of the Western World"
"Inherit the Wind"

1967
"John D Muggins is Dead"
"The Country Wife"
"Gala Performance"
"The Don’t Just Sit There Show"
"Antigone"
"The Feather Pluckers"
"Armoured Train 14.69"

1968
"The Rent"
"Vietreview ‘68"
"Harold Muggins is a Martyr"
"Say Uncle"
"Billy Liar"
"Dirty Work at the Crossroads"

1969
"The Diamond, Bone and Hammer and Along the Shoughs of Ulster"
"Strike"
"Rag to the Bull"
"The Frogs and Co... Axed"
"Epitaph for George Dillon"
"The Mother"
"Festival Music Hall"
"Cinderella"

1970
"Unity Theatre Artists/The Co-operation"
"Triple Bill"
"Jack and the Beanstalk"
"A Case for Euthanasia"
"The Agony"
"The Demonstration"
"The Bolsheviks"
"South Africa 70"
"The Misadventures of Mr Pickwick"

1971
"The Chinese Machine"
"Robert Owen"
"It’s Never too Late"
"The Farmworker"
"Captain Swing at the Penny Gaff"
"The Dragon"
"In Place of Strife"
"They made a present of Mornington Crescent"

1972
"Waiting for Lefty"
"Bull Durham or the Great Turd and How to Keep it Rolling"
"Summerfolk"
"Rent or Caught in the Act"
"Pins and Needles"
"Burlesque"
"Huis Clos and A Matter of Convenience"

1973
“Festival of Poets”
"L’Avare Et Cie"
"The Concert at Saint Ovide"
"Partitions"
“C.A.A. Showcase”
"One Way Trip"
"The Way of the World"
"By my Life"
"At Enormous Expense…"
"Tom Barker of Camden - and the World"
“Old Time Music Hall”
"The Reign of Terror and the Great Money Trick"
"New Positions"
“…And play on the flutes of their own vertebrae”
"How we knocked ‘em in the Old Kent Road"

1974
"Widower’s Houses"
"The Tolmer Square Show"
"Case for a Rebel "
"Janet Rosenberg, Dear Mr Kooning and The Inhabitants"
"The Recruiting Officer"
"Vietnam - “The Post-War War"
"The Jump"
"Storm Warning"
"The Tigers are Coming O.K. ?"
"The Police and Saxon"
"Memories"
"“The Collier Laddie” A Legend of the Coalfields"
"Before your very eyes"
"Ten Nights in a Bar Room"
“NCCL 40th Anniversary Show”
"Common will against the Giant"

1975
"Right Turn Triple Bill"
"The Bureaucracy Show"
"The Nuns"
"The Cocoa Party"

1977
“God’s Just a Copper”
"Waiting for Lefty"

1979
"God Bless The Guv’nor"

1980
"The Ragged Trousered Philanthropists"
"Mad Tom or the Man of Rights"

1981
"Then and The Clyde is Red"

1982
“Reminiscences of Unity Theatre”
"Then/Bikini Fable"
"New Positions"

1983
"Come Fry with me"
"Comprehensive Cuts"

1984
“A Tribute to Laurie Davies”
“Workers Theatre - National Theatre - Platforms at the National”

1990
“May Day Social”
“Unity Social”

1991
"What’s Left Now"

1992
"Major Minor a Topical Revue, with A Small Price"

1994
"Horseman Pass by"

Specific Links:

"Waiting for Lefty"

"Where’s that Bomb?"

"Aristocrats"

"Plant in the Sun/Bury the dead"

"Señora Carrars Rifles"

Section 5, Grants:

Content:

Grants

Please read the Guidance Notes & Conditions of Grant below before applying

Application packs can be downloaded at the end of this section

Since 1989, the Trust has awarded over £330,000 in grant aid to projects meeting the criteria.

Guidance Notes and Conditions of Grant

Grant aid

In the main, the Trust will fund drama and theatre related activities, but in addition, it will also fund projects in film, TV, video, music and dance. The Trustees reserve the right to include other areas if an application merits it, as long as the application falls within the Trust's charitable aims

Eligibility

The Trust usually funds projects or activities carried out by organisations. Individuals sponsored by organisations are also eligible to apply for a grant. Applicants are expected to have raised a large proportion of the project’s costs for which they are applying for a grant.

Application forms

A grant request will only be considered on completion of an application form supplied by the Trust.

Financial conditions

All successful applicants must keep detailed accounts in relation to the disbursement of the grant received and make these available to the Trust for inspection at all reasonable times. Any unused grant must be returned, unless prior permission has been given by the Trust for any other use.

Monitoring

In their efforts to monitor the effectiveness of their grant strategy, the Trustees expect all recipients of grant to inform the Trust of the success or otherwise of the activities for which the grant was given. They also expect to be invited to the performance of plays or events the Trust awards grants to. No grant may be used for any other purpose than that for which it was approved for without the prior permission of the Trust.

The charitable aims of the Trust

All applicants, by accepting receipt of any grant, agree not to contravene the charitable aims of the Trust as summarised in the section of this website called "The Theatre" and as restated in the guidance notes supplied with the application form.

All successful applicants will be asked to confirm in writing their agreement as above before any grant is released.

Logo

All recipients of grant must acknowledge the support of Unity Theatre Trust by using the Unity Theatre device logo (downloadable by clicking here) and the statement, "SUPPORTED BY UNITY THEATRE TRUST" on all publicity and correspondence.

Grant dates

There will usually be FOUR decision dates in any one year:

FEBRUARY
MAY
AUGUST
NOVEMBER

unless the Trustees deem it necessary to consider any application outside these dates. If you want to know the exact date of the Trust meeting where your application will be considered, please do not hesitate to contact the Secretary who will be too happy to advise you.

For meeting these dates, applications need to be received by the 15th of the month preceding the above dates.

Administration of grants

The Trustees will inform successful applicants how their grant will be administered but it will usually be done in one of the following ways:

i. Total grant in advance with invoices or accounts on request by the Trustees.

ii. Total grant after receipt of invoices or accounts.

iii. By instalments, with or without progress reports or and account details of the preceding period.

iv A progress report should be submitted to the Trust by all successful projects.

Specific Links:

You can download the above guidance information with the application form at the following links

Adobe PDF Application Form and Notes - normal size

MS Word Application Form and Notes - normal size

Adobe PDF Application Form and Notes - large print

Download our logo here for use in your publicity material as required by our terms & conditions

if you need the Adobe Acrobat PDF reader you can download it here via a new window

Section 6, Privacy:

Content:

Website Privacy Policy, Terms of Use

1.Privacy Policy

The Unity Theatre Trust is very respectful about the privacy concerns of the visitors to any of its sites on the Internet.

As a general policy, no personal information is automatically collected from visitors to its sites. However, certain non-personal information of visitors is recorded by the standard operation of Unity Theatre Trust's Internet servers. This information is primarily used to provide an enhanced online experience for the visitor. Information tracked includes the type of browser being used by the visitor (e.g., Netscape, Internet Explorer), the type of operating system (e.g., Macintosh, Windows) in use by the visitor and the domain name of the visitor's Internet service provider (e.g., BT Openworld, Blueyonder, Compuserve).

By having this information, web pages optimized for a particular visitor's computer are automatically available to that visitor. Other uses of this information include internal review of the number of visitors to the sites but only in an aggregate and non-personally-identifiable form. E-mail addresses and other personally identifiable data about visitors to this site are known to Unity Theatre Trust only when voluntarily submitted. Personally identifiable information that may be collected in connection with visitors voluntarily filling out on-line forms or subscribing to newsletters is retained by Unity Theatre Trust and not sold or otherwise transferred outside
the company. This information is used to better understand visitors' use of our sites and to support transactions made on the sites. We sometimes also use e-mail addresses and other personally identifiable information to contact visitors who communicate with us. For example, we might direct e-mail to visitors who provide us with their e-mail addresses for specific purposes such as receiving e-mail newsletters. Each e-mail newsletter always contains instructions on how to discontinue receipt of the newsletter.
Unity Theatre Trust Web sites may place a "cookie" in the browser files of a Unity Theatre Trust site user's computer. The cookie itself does not contain any personally identifying information.
The cookie could enable Unity Theatre Trust to relate a user's use of a Unity Theatre Trust site to information that the user has specifically and knowingly provided.

Users should be aware that when they voluntarily disclose personal information (e.g., user name, e-mail address, phone number) on any bulletin boards or chat areas that may be in operation, the information can be collected and used by others and may result in unsolicited messages from other people. To the extent that any of our sites accessible through www.unitytheatre.org.uk may have additional practices, these practices will be explained at that site.

2. Terms of Use

Please read these Terms Of Use carefully before using this site.

By using this site, you signify your agreement with these Terms Of Use. If you do not agree with any of the below Terms Of Use, do not use this site.

The Unity Theatre Trust reserves the right, in its sole discretion, to modify, alter or otherwise update these Terms Of Use at any time and you agree to be bound by such modifications, alterations or updates.

2.1 Trademarks, Copyrights and Restrictions

This site is controlled and operated by The Unity Theatre Trust, 37 Dunsmure Road, London, N16 5PT, England. All material on this site, including, but not limited to images, illustrations, audio clips, and video clips, is protected by copyrights which are owned and controlled by Unity Theatre Trust, or by other parties that have licensed their material to Unity Theatre Trust. Material from unitytheatre.org.uk or any web site owned, operated, licensed or controlled by Unity Theatre Trust may be accessed copied printed and downloaded in an unaltered form, with copyright
acknowledged, on a temporary basis, only for personal study and strictly for non-
commercial use. Written permission from the Trust must be obtained for any other use
including reproduction in any form, display in any form, performance or transmission by any means.
Applications for permission as required above should in the first instance, be addressed to-

The Secretary to the Trust-
by E-mail at: secretary@unitytheatre.org.uk
or by Mail to: 37, Dunsmure Rd., London N16 5PT" England

2.2 Linked Sites

Unity Theatre Trust, whether or not affiliated with sites which may be linked to this site, is not responsible for their content. The Linked Sites are for your convenience only and you access them at your own risk. Those sites may have their own Terms of Use and Privacy Policies and you should consult them independently.

2.3 Disclaimer

The materials in Unity Theatre Trust's Web Sites are provided "as is" and without warranties of any kind either express or implied. To the fullest extent permissible pursuant to applicable law, Unity Theatre Trust disclaims all warranties, express or implied, including, but not limited to, implied warranties of merchantability and fitness for a particular purpose.

Unity Theatre Trust does not warrant that the functions contained in the materials will be uninterrupted or error-free, that defects will be corrected, or that Unity Theatre Trust's Web Sites or the server that makes them available are free of viruses or other harmful components.
Unity Theatre Trust does not warrant or make any representations regarding the use or the results of the use of the materials in Unity Theatre Trust's Web Sites in terms of their correctness, accuracy, reliability, or otherwise. You (and not Unity Theatre Trust) assume the entire cost of all necessary servicing, repair or correction.

Applicable law may not allow the exclusion of implied warranties, so the above exclusion may not apply to you. The material that you read in Unity Theatre Trust's Web Sites is provided solely for research, entertainment and promotional purposes. The information and opinions expressed in any Bulletin Boards, Chat Rooms, or other forums conducted on or via this site are not necessarily those of Unity Theatre Trust or its affiliated or related entities or content providers and Unity Theatre Trust makes no representations or warranties regarding that information or those opinions. Furthermore, neither Unity Theatre Trust nor its affiliated or related entities or its content providers are responsible or liable to any person or entity whatsoever (including, without limitation, persons who may use or rely on such data/materials or to whom such data/materials may be furnished) for any loss, damage (whether actual, consequential, punitive or otherwise), injury, claim, liability or other cause of any kind or character whatsoever based upon or resulting from any information or opinions provided in Unity Theatre Trust's Web Sites.

2.4 Submissions

Unity Theatre Trust is not responsible for any material posted on our Forums. You shall not submit or otherwise publish through such Forums any content which:
a) libels, defames, invades privacy, or is obscene, pornographic, abusive, or threatening;
b) infringes any intellectual property or other right of any entity or person, including, but not limited to, violating anyone's copyrights or trademarks;
c) violates any law;
d) advocates illegal activity;
e) advertises or otherwise solicits funds or is a solicitation for goods or services; (collectively "Non-Approved Material").
You agree to indemnify Unity Theatre Trust and its officers, directors, employees, agents, distributors and affiliates from and against any and all third party claims, demands, liabilities, costs, or expenses, including reasonable legal fees, resulting from your breach of any of the foregoing agreements, representations, and warranties.

2.5 E-mail and Postings Received

Do not post any threatening or libellous e-mails or material on this site that would be considered a violation of any law. Unity Theatre Trust will fully cooperate with any law enforcement authorities or court order requesting or directing Unity Theatre Trust to disclose the identity of anyone posting any such e-mails or materials.

2.6 Jurisdictional Issues

Unless otherwise specified, the materials in Unity Theatre Trust web sites are presented solely for the purpose of research, entertainment and promoting programs and other products available in the United Kingdom, its territories, possessions, and protectorates.
This site is controlled and operated by Unity Theatre Trust from its offices within the United Kingdom, or by an agent of Unity Theatre Trust. Unity Theatre Trust makes no representation that materials in Unity Theatre Trust's Web Sites are appropriate or available for use in other locations. Those who choose to access this site from other locations do so on their own initiative and are responsible for compliance with local laws, if and to the extent local laws are applicable.
This agreement shall be governed by, construed and enforced in accordance with the laws of the EEC, as it is applied to agreements entered into and to be performed entirely within such Community. Any action you, any third party or Unity Theatre Trust bring to enforce this agreement or, in connection with, any matters related to this site shall be brought only in either the Courts located in the EEC, and you expressly consent to the jurisdiction of said courts.
If any provision of this agreement shall be unlawful, void, or for any reason unenforceable, then that provision shall be deemed severable from this agreement and shall not affect the validity and enforceability of any remaining provisions.
This is the entire agreement between the parties relating to the matters contained herein and shall not be modified except in writing.

Specific Links:

Section 7, Contact Us:

Content:

You can contact us via the following:

E-mail: secretary@unitytheatre.org.uk

Post: 37 Dunsmure Road, London, N16 5PT, England

Tel: +44 (0)20 8802 6437

Specific Links:

None

This is the end of the site.